
Published June 24, 2026
How to Bleed – Part 4 of 8
By Jeff Zwirek, Director of Operations at PrintNinja
What’s that? You don’t have a specific deadline? That’s fantastic.
Seriously, it will make your life a whole lot easier through the entire process. So if you can help it, try not to tie your project to a fixed event close to your expected delivery date. That’s all well and good advice… but we don’t always follow our own advice, do we?
Back when I printed my comic collection, I wanted to premiere the book at one specific convention: the fantastic SPX (Small Press Expo) in Bethesda, Maryland. I’d been going to that show for years, and I wanted it to be the place where my promotional tour started.

Up to that point I had only ever exhibited with my mini-comics, so this book was a big step forward. It was professionally printed by an offset printer overseas (before PrintNinja existed), and I’d raised the money on Kickstarter to pay for the whole thing. I solicited a lot of advice and ordered a hardcopy proof to make sure the colors would print the way I expected. For the most part, they did! But there were a few areas where I hadn’t accounted for some of my color choices. I didn’t really want to spend more time and money on another proof – but more on that later.

Because the books were coming from China, they were going to spend a long time on the ocean before they reached my house. The convention was scheduled well before that arrival date, so I needed to expedite a single box of books straight to the convention center. There wasn’t even time to have them shipped to me first. The first time I’d ever see the final product of my book would be at the show.

Here I was, after spending the better part of two years on this project, on the precipice of seeing the fruits of my labor. If the shipment got delayed, or I messed up the address, I was going to be at the show with nothing. Luckily, it worked out.
The box arrived, and thankfully the book turned out really well. The printer had done an amazing job.
I can still remember that moment clearly. The staff checked me in and told me where my table would be on the floor – the books would be waiting there for me. As I approached, I was terrified they’d be missing. There seems to be some kind of mishap like this at every convention. But there they were.

I opened the box and saw my book for the first time. This was the culmination of an ambition I’d held for years, something I wasn’t sure would ever come to pass. But even filled with the emotion of the moment, my focus quickly shifted to setting up the table and actually selling the thing. I managed to sell every copy at the show that weekend, leaving with just the single copy I kept for myself.
I had a celebration dinner with my brother Adam, who’d helped me all weekend. Pulling the whole thing off and selling out of my advance copies was the kind of feeling you chase for the rest of your life.
Now, it all worked out for me that weekend. But I could have saved myself an ulcer by not having that deadline hanging over me. In the real world, though, we’re almost always dealing with some deadline or another. So let’s talk about how to plan for one.
There are three major factors you have to account for in any print timeline. Add them together and you get your total turnaround time.

This holds true not just for PrintNinja but for any print partner you choose, so find out what times they’re quoting before you begin. It’s the easiest way to avoid a missed deadline. Let’s take each piece in turn.
If you’ve never been through the self-publishing process before, this is the one our customers most often overlook. Build in real time for it.
We typically ask customers to allow a week for the electronic proofing process. When we receive your files, one of our prepress managers evaluates them and prepares your proof. Every order goes through this – even if you’re also getting a hardcopy proof, everyone starts with an electronic one. It’s emailed to you along with notes and recommendations based on the prepress manager’s evaluation of your files.
Sometimes it’s a simple exchange: we report that everything looks great and move into production with your approval. That can happen as quickly as one business day.
More typically, you’ll need 2–3 electronic proofs to get everything just right. It might be a simple fix, like needing to add “printed in China” somewhere in your project, or adding a blank page to land on the correct total page count. More complex issues usually involve sizing problems or cover formatting. Luckily, we have an extensive library of step-by-step guides and videos on our website to help with file-prep issues.
Here’s what a typical proofing week might look like. Remember that proofs are delivered one business day after we receive your files.

It’s paramount that we get your files into the shape you need to feel comfortable moving forward, so we never recommend rushing the proofing process.
A hardcopy proof means factoring in more time. Once your electronic proof is complete, we start preparing the production of your physical proof. We’ll cover the benefits and drawbacks of hardcopy proofing in more detail later in this series, but for timeline purposes, plan on about two more weeks: roughly one week to produce the proof and another week to ship it to you from China.
So if you choose a hardcopy proof, allocate at least three weeks of proofing time in total (assuming your electronic proofing takes about a week). And keep in mind: if you want something adjusted after seeing your hardcopy proof, you’ll head back into the electronic proofing cycle, so be prepared to add even more time if that happens.
Once you’ve approved your proof, you’re on the production schedule. How long you’ll be there depends mostly on the style of binding your project uses.

These schedules account for the printing, binding, and packaging of your order. Sometimes the size or complexity of a project will push the production time longer, so plan accordingly.
A lot is happening to your project during production. Beyond the printing itself (which usually happens the day after we get your approval), there’s a whole sequence of cutting, folding, binding, trimming, and packaging. We work with the best binding partners in the area to ensure the quality of your final product. Here are a few videos we shot ourselves while visiting the facilities in China:
The third factor is the one with the most variables, and the one that nearly cost me at SPX. Because most projects this size are produced overseas, your finished copies spend real time in transit.
Standard ocean freight is the most economical way to move a full print run, but it’s slow – your books can be on the water for weeks. Expedited and air options exist and are much faster, but they cost considerably more. The right choice depends entirely on how much runway your deadline gives you. We’ll dig into shipping and fulfillment in depth in the final part of this series, but for now the takeaway is simple: get your quoted transit time up front and fold it into the equation.
And the hard lesson from my SPX story bears repeating: don’t tie a hard, can’t-move event date to an ocean-freight arrival estimate. If you absolutely must, budget for an expedited box and give yourself a generous buffer.
You’ve poured a considerable amount of time, energy, creative passion – not to mention money – into this project. You owe it to yourself to get everything right.
I understand the anxiety of wanting your project finished and out into the world. But take the time you need to make sure the final product comes out as great as you’re imagining it. Don’t be afraid to ask for advice on the details that can take your project to the next level. We’ve printed a lot of books, and we have plenty of ideas for unique features that can make your creation stand apart from the crowd.
Plan the timeline backward from the date you actually need copies in hand, add a buffer, and you’ll spend the home stretch excited instead of terrified.
The 30-second recap
Your total turnaround is the sum of three things: proofing time, production time, and shipping time. Proofing usually takes about a week (longer if you add a hardcopy proof), production runs from 1–2 weeks for saddle stitching up to 4–5 weeks for card games, and shipping depends on whether you choose ocean or expedited freight. Add the three together for a realistic estimate, and always confirm current numbers when you get your quote.
Because a prepress manager actually evaluates your files and prepares a proof, then sends it back with notes and recommendations. Most projects need 2–3 electronic proofs to get everything right – fixing things like page count, sizing, or cover formatting. A clean file can move into production in as little as one business day, but it’s smart to plan for a full week.
A hardcopy proof is optional, but if you want to hold a physical sample before committing to the full run, plan on roughly two extra weeks: about one week to produce the proof and one week to ship it from China. That brings your total proofing time to around three weeks. And if you request changes after seeing it, you’ll go back into the electronic proofing cycle, which adds more time.
It depends on binding: saddle stitching is 1–2 weeks, softcover books 2–3 weeks, hardcover, board, spiral, and wire-o books 3–4 weeks, and card games 4–5 weeks. Larger or more complex projects can run longer, so check the turnaround times page and confirm with your quote.
You can shorten the overall timeline with expedited shipping, but we never recommend rushing the proofing process – that’s where mistakes get caught. The better approach is to plan backward from your deadline, build in a buffer, and avoid tying a fixed event to an ocean-freight arrival estimate. If a date is truly immovable, talk to us early so we can map a realistic path.
Ready to map out your timeline?
Get an instant quote in under two minutes – no account required.
Jeff Zwirek is the Director of Operations for PrintNinja. “Having been involved in retailing, comics making, self-publishing, creating conventions, working in, and running a printing company, I’ve learned a lot. The best part of PrintNinja is when we get to help someone get their dream project across the finish line. To help them get that creative life out into the world and speak their vision to other like-minded souls.”
The complete series
How to Bleed: Tips and Tricks for Self-Publishers
Turnaround estimates reflect PrintNinja’s current production standards. Always confirm the latest proofing, production, and shipping times with your quote before committing to a deadline.